"The Jabberwock" reading

"The Jabberwock" is one of my favourite poems, and I recorded myself reading it as an exercise in attitudes while reading. I thought it was a good example of the style in which a person speaks being more important than the words. The words of "The Jabberwock" are utterly nonsensical, and as such any performance of it relies entirely on the tone created by the performer. I think I did a rather good job!

In other news, I finally got to meet local professional voice artist Pavel Douglas (www.paveldouglas.co.uk), and he has been amazingly kind and helpful in recommending local projects and opportunities, agreeing to an interview for this blog, and allowing me to visit his personal studio. I cannot wait to speak to him further!

Video blog 5 and some news

Well, here it is! Blog 5, which is a bit overdue. Life's getting a little bit hectic, as all of my assessments are starting to pile up, but fear not, readers, I will not forget you!

Lyrics for "Yakko's World" follow, so you can sing along at home:

"United States, Canada, Mexico, Panama
Haiti, Jamaica, Peru,
Republic Dominican, Cuba, Carribean
Greenland, El Salvador too.
Puerto Rico, Columbia, Venezuela
Honduras, Guyana, and still,
Guatemala, Bolivia, then Argentina
And Ecuador, Chile, Brazil.
Costa Rica, Belize, Nicaragua, Bermuda
Bahamas, Tobago, San Juan,
Paraguay, Uruguay, Surinam
And French Guiana, Barbados, and Guam.

Norway, and Sweden, and Iceland, and Finland
And Germany now one piece,
Switzerland, Austria, Czechoslovakia
Italy, Turkey, and Greece.
Poland, Romania, Scotland, Albania
Ireland, Russia, Oman,
Bulgaria, Saudi Arabia
Hungary, Cyprus, Iraq, and Iran.
There's Syria, Lebanon, Israel, Jordan
Both Yemens, Kuwait, and Bahrain,
The Netherlands, Luxembourg, Belgium, and Portugal
France, England, Denmark, and Spain.

India, Pakistan, Burma, Afghanistan
Thailand, Nepal, and Bhutan,
Kampuchea, Malaysia, then Bangladesh (Asia)
And China, Korea, Japan.
Mongolia, Laos, and Tibet, Indonesia
The Philippine Islands, Taiwan,
Sri Lanka, New Guinea, Sumatra, New Zealand
Then Borneo, and Vietnam.
Tunisia, Morocco, Uganda, Angola
Zimbabwe, Djibouti, Botswana,
Mozambique, Zambia, Swaziland, Gambia
Guinea, Algeria, Ghana.

Burundi, Lesotho, and Malawi, Togo
The Spanish Sahara is gone,
Niger, Nigeria, Chad, and Liberia
Egypt, Benin, and Gabon.
Tanzania, Somalia, Kenya, and Mali
Sierra Leone, and Algiers,
Dahomey, Namibia, Senegal, Libya
Cameroon, Congo, Zaire.
Ethiopia, Guinea-Bissau, Madagascar
Rwanda, Mahore, and Cayman,
Hong Kong, Abu Dhabi, Qatar, Yugoslavia...
Crete, Mauritania
Then Transylviania,
Monaco, Liechtenstein
Malta, and Palestine,Fiji, Australia, Sudan." 

"Me and Mine" extract reading

As promised, here's the extract reading/trailer for Sarah Goodwin's "Me and Mine", voiced and animated by yours truly, with music from Kevin MacLeod at incompetech.com

"Me and Mine" is available as an ebook from amazon.com, and amazon.co.uk, and as a paperback from lulu.com.

blog 4!

Just a brief update, with more vocal exercises to follow. Huzzah!

New year, new blog!

After a bloomin' long time, I finally got around to making another blog.

One brief note, I think I gave the wrong address for What Have You. Just in case you want a link, it's right here! 

So, all I can say now is Happy New Year, and be sure to spread the word of an amateur voice actress looking for work.
Talk to you soon!

Video blogging at last!

No one likes a sore throat

Well. There has been progress, and there has been hindrance. In the 'progress' column, I have phoned Piehole and taken their voice evaluation test, so I should be hearing back from them within a few days. I have also drafted up my official proposal for this project, and it shoudl be posted here once it's been approved on Thursday. However, in the 'hindrance' column, I have suddenly come down with a rather nasty cold, which has of course chosen to manifest in the form of a sore throat. I'm doing all I can to rid myself of it, though, because I'd like to start using video logs soon, and practicing my own vocal analysis.

I've also recieved a list of the required inclusions for my production logbook (read: this blog), and so I will include them here. Aims are:

• Include records of rehearsals and rehearsal activities.
• Set out the AIMS of your rehearsal process and HOW your methods of rehearsal will enable you to investigate your question.
• Convey evidence of your broader research in relation to how this directly informs and impacts upon your practical-based studio-work. Documentation of your wider reading and related research and bibliography. All wider material read needs to be referenced, and the type of material stated (i.e. play, article, book, essay, film, etc)
• The evidence of critically reflective thinking in relation to the creative processes you have undertaken in your practice-based research. 

I think I've established a lot of these in former posts, so it should be a question of continuing to update. I think that's all the news for this week, and I would like to encourage anyone and everyone reading this blog to pass it around. I'm looking for amateur projects to take on, and for credits to add to my resmue. If anyone has a friend looking for a voice actor who will work for nothng but the credit, please send them here!

Good news, everyone!

So, about two hours after I made that last post, I got a phone call from the lovely people at Piehole, checking that I was happy with their website and generally being friendly. They also told me that they have a special, new "short" version of their voice analysis. Yes, you get a third of the feedback, but it's at a third of the price, so that's really welcome. I signed up for the voice analysis, and hope to phone in and record today.

In other news, I'm working on putting together an advert for a friend of mine, who has self-published a book. I'm also talking to Ian (the head of my course) to get some contact details of rpo, ex-pro and semi-pro voice actors, so I can hopefully have a chat about the voice acting world at large and how I might fit myself into it. So that's fun.

I'll update in a couple of days with the results of my analysis. Wish me luck!

Investing in Awesome

So, I've wanted to be a voice over artist for years. This project is really just the incentive, the push to actually commit to the idea, but I've wanted to do it since I was old enough to realise that it was a job. And now, here I am looking into the field, and it's more than a little scary. It's scary because I'm committing to the realisation of a dream, it's scary because I'm very close to putting myself in a position where I may be told I'm not good enough, and not least of all, it's scary sheerly because of the amount of time and money you have to invest.

It's understandable, primarily. If you want to make good recording, you need good equipment. That's one cost there. Then you can look at online directories like voices.com or piehole.co.uk which, while they seem really helpful and friendly, and are a perfect way into the industry for new voices like myself, don't really come cheap. Free or cheap memberships usually only provide you with the most basic of listings, with very little help or support. Again, it makes sense; a paying customer is more valued to any business, and these directories are, first and foremost, businesses.

The fact that all the expense is completely justifiable almost makes it worse, because it's as if you are saying to yourself "if you truly believe you're good enough at this, you can and will commit. If you believe this could be a profession, paying £64 for an indepth analysis of your voice is a small downpayment to help you along your path". Scary, huh?

Yes, piehole.co.uk is my site of the week for helpful yet scary revelations; they allow you to download or recieve a free copy of their book of tips and advice on technique and ettiquette. This has been amazingly useful, and I'm going to follow up with an adaptation of their plan to help my own developement. Howeer, they also offer, for the price of £64, an in-depth, over the phone analysis of your voice, including advice on where your strengths and weaknesses are, what you should improve and what your next steps should be. A service like this is amazingly tempting, and looking at the site's credentials, I have to say that I would have my utmost trust in them, but the question of price is something that I'm going to have to think about. I'll keep you posted on that one.

In other news, this week I was further inspired by Mr Rob Paulsen, and his amazing podcasts in which he discusses the nature of being a voice actor, along with anecdotes and information on how the job works. The only drawback is that he is of course referring to American voice over, which is mostly geared towards animation for companies such as Warner Brothers, Disney and so on. If I could find a British equivalent, it would be much more helpful, as I knowBbritish voice over to be geared more towards adverts, radio, and only the occasional narration or animation spot.

But, for now, my research continues, as do my dreams.

And so begins a new blog

Hello there. My name is Vikkie Moule, and I have started this blog to help chart my eight month long project:
I aim to become, at least at an amateur level, a voice actor.
Now, I know that it takes far longer than eight months to become a talented or noted actor in the field, but the next eight months of researching and developing my efforts will be charted in order to support my degree (a BA hons in Drama and Theatre Studies). My goals for the next eight months are:

• to check in here at least twice a week with some sort of progress or reseach
• to use my free time to further my understanding and skills in teh field of voice acting
• and to begin amateur projects to help myself towards at least semi-professionalism

So please follow, reblog and help me get the word out there; I am trying to promote myself, in the hopes that I will manage to become, or at least understand, a part of the voice acting world.